dc.contributor.advisor | Rojas Suárez, William Alexis | spa |
dc.contributor.author | Pino Enríquez, Cristian David | spa |
dc.coverage.spatial | New York, Estados Unidos. | spa |
dc.coverage.temporal | 1940 - 1960. | spa |
dc.date.accessioned | 2021-02-20T14:07:40Z | |
dc.date.available | 2021-02-20T14:07:40Z | |
dc.date.issued | 2020 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12209/12869 | |
dc.description.abstract | Trabajo de grado en el cual se propone exponer la concepción teórico - musical de jazz surgida alrededor de la década de los años 50s "El Concepto Lidio Cromático de la Organización Tonal" por George Russell; abarcando también el contexto sociocultural previo, durante y posterior al cual se desarrolló.
A partir de la traducción al idioma español, resumen y análisis, se plantea la aplicación de dicho tratado en el ámbito de la composición por medio de dos canciones de autoría propia del género jazz - rock; esto mediante un modelo de análisis teórico - musical que ofrece la posibilidad de comprender el tema posicionándolo con relación al sistema funcional propuesto por la Academia.
Además, este trabajo ofrece al lector una ruta que presenta el proceso de interiorización personal de un lenguaje musical aplicable a otros géneros y/o estilos musicales. | spa |
dc.description.sponsorship | Universidad Pedagógica Nacional de Colombia | spa |
dc.format | PDF | spa |
dc.format.mimetype | application/pdf | spa |
dc.language.iso | spa | |
dc.publisher | Universidad Pedagógica Nacional | spa |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.source | reponame:Repositorio Institucional de la Universidad Pedagógica Nacional | spa |
dc.source | instname:Universidad Pedagógica Nacional | spa |
dc.subject | Jazz | spa |
dc.subject | Rock | spa |
dc.subject | Lidio | spa |
dc.subject | Cromático | spa |
dc.subject | Composición | spa |
dc.subject | Análisis | spa |
dc.title | Lidiando el sonido. El concepto lidio-cromático de la organización tonal aplicado a la composición integral. | spa |
dc.type | info:eu-repo/semantics/bachelorThesis | |
dc.publisher.program | Licenciatura en Música | spa |
dc.subject.keywords | Jazz | eng |
dc.subject.keywords | Rock | eng |
dc.subject.keywords | Lydian | eng |
dc.subject.keywords | Chromatic | eng |
dc.subject.keywords | Composition | eng |
dc.subject.keywords | Analysis | eng |
dc.rights.access | Acceso abierto | spa |
dc.rights.accessrights | info:eu-repo/semantics/openAccess | |
dc.relation.references | Bailey, Derek. Improvisation: Its nature and practice in music. Reino Unido: Da Capo Press, 1980. | |
dc.relation.references | Baker, David. Charlie Parker, Alto Saxophone. New York: Shattinger International Music Corp., 1978. | |
dc.relation.references | Berendt, Joachim. El jazz: De Nueva Orleans al jazz rock. México: Fondo de cultura económica, 1959. | |
dc.relation.references | Berliner, Paul. Thinking in jazz. The infinite art of improvisation. Chicago: University of Chigago Press, 1994. | |
dc.relation.references | Jazz: La Historia. Episodio 9 - Riesgo . Dirigido por Ken Burns. 2001. | |
dc.relation.references | Channel, History. «La Segunda Guerra Mundial en Color.» s.f. | |
dc.relation.references | Gioia, Ted. The history of Jazz. Oxford: Oxford University Press, Inc., 1997. | |
dc.relation.references | Gombrich, Ernst. La Historia del Arte. Londres: Phaindon, 1950. | |
dc.relation.references | Iyer, Vijay. «Navigation through form: Composing for improvisors.» s.f. | |
dc.relation.references | Jones, Leroi. Blues people: Negro music in white America. Estados Unidos: William Morrow Company, 1963. | |
dc.relation.references | Levine, Mark. Jazz Theory Book. EE.UU: Sher music Co., 1995. | |
dc.relation.references | María, Mauro de. Composición Integral. Buenos Aires: Publicación sin editorial, s.f. | |
dc.relation.references | Birth of the Cool. Dirigido por Stanley Nelson. 2019. | |
dc.relation.references | Persichetti, Vincent. Armonía del siglo XX. Madrid: Real Musical , 1985. | |
dc.relation.references | Rosenthal., David H. Hard Bop: Jazz and Black Music 1955 - 1965. New York: Oxford University Press, Inc., 1992. | |
dc.relation.references | Russell, George. Lydian Chromatic Concept of Tonal Organization. Boston: Concept Publishing Co., 1953. | |
dc.relation.references | Sher, Chuck. The New Real Book - Volume two. Estados Unidos: Sher Music Co, 1991. | |
dc.publisher.faculty | Facultad de Bellas Artes | spa |
dc.type.local | Tesis/Trabajo de grado - Monografía – Pregrado | spa |
dc.type.coar | http://purl.org/coar/resource_type/c_7a1f | eng |
dc.description.degreename | Licenciado en Música | spa |
dc.description.degreelevel | Tesis de pregrado | spa |
dc.type.driver | info:eu-repo/semantics/bachelorThesis | eng |
dc.identifier.instname | instname:Universidad Pedagógica Nacional | spa |
dc.identifier.instname | instname:Universidad Pedagógica Nacional | spa |
dc.identifier.reponame | reponame: Repositorio Institucional UPN | spa |
dc.identifier.repourl | repourl: http://repositorio.pedagogica.edu.co/ | |
dc.title.translated | Dealing with the sound. The lydian-chromatic concept of tonal organization applied to integral composition. | eng |
dc.description.abstractenglish | Degree work in which it is proposed to expose the theoretical-musical conception of jazz that emerged around the decade of the 50s "The Lydian-Chromatic Concept of the Tonal Organization" by George Russell; also covering the sociocultural context before, during and after which it was developed.
Based on the translation into the Spanish language, summary and analysis, the application of said treaty in the field of composition is proposed through two songs of the jazz - rock genre; This through a model of theoretical-musical analysis that offers the possibility of understanding the subject by positioning it in relation to the functional system proposed by the Academy.
Furthermore, this work offers the reader a route that presents the process of personal internalization of a musical language applicable to other musical genres and / or styles. | eng |
dc.type.version | info:eu-repo/semantics/acceptedVersion | |
dc.type.version | http://purl.org/coar/version/c_ab4af688f83e57aa | |
dc.rights.creativecommons | Attribution-NonCommercial-NoDerivatives 4.0 International | |